Garth Brooks Music Video When You Come Back to Me Again
Music videos are the about remarkable works of art of the modern earth. The MTV generation of the '80s and '90s watched center-communicable clips from the creative pioneers who launched the medium. Present, artists strive to make videos that eclipse boundaries already broken in hopes of gaining attending.
More music videos get released all the time, merely only a select few have been powerful plenty to spark controversy, launch careers and withstand the test of time. These are some of the about iconic music videos of all fourth dimension.
Michael Jackson – "Thriller" (1983)
Michael Jackson'south most iconic video is a mini-motion picture that runs for xiv monstrous minutes. The spooky spectacle is an homage to old horror films mixed with camp and an unforgettable dance routine with a horde of zombies. Information technology's Michael Jackson at his finest.
The video made "Thriller" an essential song for every Halloween party, and it lives on via the popular "Michael Jackson eating popcorn" GIF. It's and then iconic, in fact, that it'southward currently the only music video preserved in the Library of Congress' National Motion-picture show Registry.
Madonna's legendary musical career explores the complicated relationship between sex and religion, and no music video in her career better illustrates her life'south work than "Like a Prayer." The powerful video explored injustice in the prison arrangement, interracial love and spirituality.
It would exist an understatement to say the video didn't crusade controversy. Critics hailed it for its symbolic imagery, just family and religious groups were horrified. Even the Vatican condemned Madonna's video, criticizing its "blasphemous utilise of Christian imagery." In response, Pepsi notoriously canceled its multi-1000000 dollar campaign that used the song.
Kittenish Gambino – "This Is America" (2018)
Gambino's rap/gospel video is a gripping meta interpretation of the social injustices that have plagued African Americans for years. The artist seamlessly weaves through protestors, shooting sprees, police force brutality, all the while sidetracked with a group of dancers fixated on the latest dance moves.
The cyberspace spent weeks watching the video, attempting to decode its blink-and-you'll-miss-it symbolic imagery. Countless think pieces later, the video cemented the song as a modernistic-mean solar day protestation anthem against gun violence, police force brutality and discrimination.
George Michael – "Freedom! '90" (1990)
In 1990, George Michael was at the top of his game. His music videos were in heavy rotation on MTV, and his albums were selling out across the world. Merely when information technology came time to make the video for "Freedom! 'xc," Michael had had enough of the pop music rat race.
He grew tired of the pressures of fame and wanted to accept a stride back from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his song, as symbols of the pop legend burned in flames.
Missy Elliot – "The Rain (Supa Dupa Wing)" (1997)
When it comes to outrageous music videos, no one comes close to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying dance routines. She has a catalog of astonishing choices, but her breakout video, directed by Hype Williams, remains the rapper's most iconic of all fourth dimension.
In the video, Missy sported her glittered helmet glasses and patent leather blow-up adapt, also lovingly referred to as her "trash purse bubble." The video also filled the screen with neon landscapes, pelting dancing in Timberland boots and countless celeb cameos.
Beyoncé — "Single Ladies (Put a Band on It)" (2008)
"Single Ladies" had no costume changes, no ready changes and very uncomplicated choreography. Information technology sounds like a recipe for something ho-hum, only the less-is-more approach made Beyoncé'due south moves nothing short of captivating. Fans across the globe went wild over the dance, and many wannabes uploaded their own versions on YouTube to the please of viewers.
Beyoncé went on to win big at the 2009 MTV Video Music Awards, snagging the coveted Video of the Yr accolade. However, she lost the Moonman for Best Female Video to Taylor Swift, prompting a very drunk Kanye West to interrupt Swift during her acceptance spoken language on Beyoncé'due south behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel'due south "Sledgehammer" was a trippy tour de force. In the video, the British rocker danced his style through playful vignettes of claymation, pixilation and stop-motion animation. In reality, he had to lie under a canvass of glass for sixteen hours and so they could film the video one frame at a time.
His efforts paid off. The video was a marvelous display of creativity, weaving through crazy scenes seamlessly. It went on to win 9 MTV Video Music Awards in 1987, the virtually awards a video has always won.
9 Inch Nails – "Closer" (1994)
This creepy clip took place in what can only exist described every bit a 19th-century doc's office with a touch of S&M. Nine Inch Nails frontman Trent Reznor establish himself blindfolded, gagged, windswept, handcuffed and surrounded by various dismembered animals.
The video was too explicit for Television set, and so several scenes were blocked past a blackness screen that read "Scene Missing." The video was afterwards voted number i in a VH1 Classic poll for "The Greatest Music Videos of All Fourth dimension."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled down on self-dear and female empowerment at the coolest desert political party of all time. In the 2018 video for "Pynk," women were safe to be themselves — and men weren't necessary. The queer representation and anatomically-diverse lady pants were a visual jiff of fresh air.
The video premiered around the time Monáe came out as pansexual, which was a big moment for the very private singer. For that reason, the video's visuals and message fabricated the song an anthem for lesbian, bisexual and queer-identifying women.
The Smashing Pumpkins – "Tonight, This night" (1996)
The Slap-up Pumpkins usually fabricated heavy metal goth rock, but this vocal was different. "Tonight, Tonight" was an orchestral, climactic ballad with a video that harkened back to the silent motion picture era.
The video's primitive effects and turn-of-the-century costumes were a surprising visual counter to the band's sound. Information technology was a significant visual difference for the band, and it paid off in droves. Silent films were suddenly all the rage, and the band won half-dozen MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince cover. The video mostly consists of a closeup shot of her face as she sang through her anger and sadness. Toward the finish of the video, 2 real tears rolled down her cheeks.
The clip nerveless three Video Music Awards in 1990, including Video of the Twelvemonth. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to look into the camera for their music videos, just null compares to Sinéad'south devastated gaze all these years after.
OK Become – "Here It Goes Once more" (2006)
OK Go fabricated a proper noun for themselves in the early 2000s with their low budget viral videos. Their offset video for "Here It Goes Once again" was a complex dance routine on treadmills performed in ane take. Information technology was their first sense of taste of virality and inverse the music video game forever.
YouTube was becoming the next MTV, and musicians looking to make a wave had to remember fast. OK Go had the thought to create music videos with the intention of trending on the net. They kept the aforementioned formula intact for all their videos that followed.
A-ha – "Take On Me" (1984)
A-ha made music video history thank you to the blitheness style known every bit rotoscoping. Animators draw over motility flick footage frame by frame to produce realistic action with a cartoon look. Information technology sounds like a lot of piece of work — and information technology is — but it paid off for the Norwegian synthpop band.
The video's romantic storyline and whimsical animation style fabricated MTV history. The group won six Moonmen at the 1986 Video Music Awards and amassed over 930 one thousand thousand views on YouTube. Bands like Weezer and Paramore have created their own video tributes using the iconic mode.
Christina Aguilera, Lil' Kim, Pinkish, Mya and Lil Kim — "Lady Marmalade" (2001)
It's the ultimate pop music collaboration. These iv powerhouses joined forces with a lot of lingerie for a cabaret like no other. Like a circus on acid, each performer showed off tiny costumes, sultry dance moves and outrageous hair and makeup.
The alloy of hip hop, popular and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Accolade for Video of the Year and the 2002 Grammy Honor for All-time Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Love" (1995)
Called-for Man meets Mad Max in 2Pac and Dr. Dre'due south futuristic homage to their domicile state of California. Filmed inside the actual Thunderdome from Mad Max Beyond Thunderdome, the powerhouse rap duo threw a post-apocalyptic rave in the desert for the video.
Anybody in this video's twisted future collection giant jeeps and wore steampunk armor. The sepia-toned, desert visuals brand the video look futuristic to this twenty-four hours, unless you've ever been to Burning Man. And so it's just another twenty-four hour period at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam'due south "Jeremy" was a spooky illustration of loneliness and depression. The troubled lead, Jeremy, moved through frozen family members and classmates as the music intensified. Strobe lights flashed every bit words like "trouble" and "ignored" appeared, pushing Jeremy to his breaking point.
In the video's unedited climax, Jeremy reached for a gun in his desk-bound and shot himself. MTV restricted the nearly violent parts from airing, and an alternative version was released. The video was still powerful after the edits, merely Pearl Jam stopped making videos for years following the controversy.
Outkast – "B.O.B." (2000)
Outkast has then many iconic music videos that information technology'south difficult to pick just i. "Miss Jackson" saw Andre 3000 and Big Boi save a house from flooding as animals bounced their heads to the music. "Hey Ya!" offered a Beatles-style functioning on alive Television set.
But none of Outkast's other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo celebrated their community while expressing their unique individuality. No ane could mix technicolor suburbia, bondage–clad Bond girls and gospel choirs quite like Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $7 one thousand thousand ride into history. The video for "Scream" earned the Guinness Book of World Records title for the most expensive music video ever fabricated. The video gave Michael a chance to retaliate (angrily) against the media.
The spaceship featured a selection of rooms for the brother-sister duo to relax, but they had other plans. Instead, the Jacksons let out their aggressions and danced with a vengeance. It was a complicated time in the King of Pop's controversial career, and the video proved it.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's singer Jay Kay takes viewers on a ride with the virtually confusing dance sequence in music video history. Performed in a white room with a gray flooring, Jay Kay sang the song equally the floor appeared to motion while the room stood still.
Viewers and critics agreed that this was a stunning display of special effects. Jay Kay's bizarre dancing helped a little too. The video won four Moonmen at the 1997 Video Music Awards, including Video of the Year.
Sia – "Chandelier" (2014)
Before making it big as a pop vocalist, Sia was a talented songwriter for big-proper noun acts similar Rihanna and Katy Perry. Years after releasing her ain indie music, Sia bankrupt through with yard Forms of Fright. The but trouble was she was afraid of the attention.
Enter dancer Maddie Ziegler. Instead of Sia starring in her own video, the young dancer donned a blond wig and danced through Sia'due south powerful song. The choreography fit the song perfectly, and Sia enjoyed the spotlight from a safe distance.
Nirvana – "Smells Like Teen Spirit" (1991)
The vocal ushered in the grunge movement, but the video for "Smells Like Teen Spirit" ushered in the look. Beginning-time director Samuel Bayer took a typical high school concert and turned information technology into a total riot. What else would you wait from a school with cheerleaders sporting anarchist symbols?
The grunge stone movement paired well with a full general aloofness toward society, and the video exemplified that. In fact, the students shown in the video were actually bored after filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The h2o. Those matching pastel pants! TLC were aquatic muses with a warning for the world in their iconic "Waterfalls" video. T-Boz's raspy vocalism offered two tales of gang violence and unsafe sex as viewers watched the stories unfold.
Not even Left-Eye's timeless rap could save the characters from making the incorrect decisions. By the end of the video, T-Boz, Left-Eye and Chili appeared liquified next to an actual waterfall — and danced their way into '90s history.
Kendrick Lamar – "HUMBLE." (2017)
Lamar made music video history with the release of his spiritually charged video for "HUMBLE." The video started with Lamar dressed like the pope, looking somber in a cathedral. He later recreated Leonardo da Vinci'south 15th-century painting The Last Supper, with Lamar, naturally, sitting in Jesus' chair.
In betwixt religious visuals, Lamar played with money, golfed in an underpass and stood surrounded by men on fire. Critics hailed it as a critique of society's focus on consumerism. Peradventure we should all "sit down down and be apprehensive."
Mariah Carey – "Honey" (1999)
Mariah Carey was topping the charts with her pristine epitome for years, merely that came to a screeching halt in 1999. Something was different nigh the elusive chanteuse with the release of "Dearest." The squeaky clean singer spent the video diving in a bikini and dancing style more suggestively than ever before.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pin for the diva and a not-so-subtle nod to her divorce. In the video, she escaped captivity from a wealthy homo's mansion and began the balance of her life as a free, liberated adult female.
Guns N' Roses – "November Rain" (1992)
The video for Guns 'N' Roses booming ballad "November Pelting" featured the near rock due north' curlicue wedding ceremony of all time. In the video, lead vocalist Axl Rose married his and so-girlfriend Stephanie Seymour, surrounded by gothic candles, cigarettes and hairspray.
Between shots of the nuptials reception, viewers watched in high-def equally the band performed "live." The $1 million video ended in despair after ix beautiful minutes. Rain poured downwardly during the reception, which then segued into shots of Seymour's funeral. It's confusing, but still ballsy.
Rihanna & Calvin Harris – "We Constitute Honey" (2011)
Music videos depicting relationships gone incorrect are a dime a dozen. All the same, manager Melina Matsoukas created a human relationship rollercoaster ride. Rihanna fought, kissed and danced through her relationship with her boyfriend before leaving him in a pool of drugs and booze.
The video used visual cues from films like Trainspotting and Requiem for a Dream to emphasize their chaotic honey. It won the Grammy Honour for Best Short Class Music Video and the VMA for Video of the Twelvemonth.
Queen – "Bohemian Rhapsody" (1975)
Before the regular release of music videos, at that place were promotional videos. Likewise known as "pop promos," the videos played on TV stations when the bands couldn't be there to perform for the cameras. Queen specifically wanted to produce their video so they could avert lip-syncing to their vocal on Tiptop of the Pops.
It turned into more than a operation clip of the band; it was an creative statement. The video is one of the main catalysts for the creation of MTV and the creation of music videos at large. It currently has more than one billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Before the video was filmed, Fonsi had some requests. First, he wanted 2006's Miss Universe, Zuleyka Rivera, cast to correspond "the ability of a Latina woman." Next, he wanted the video to celebrate Latin American culture and amplify the song's soul accurately.
He nailed it. The video perfectly captured the beauty of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the world with their infectious hit. "Despacito" stands alone on YouTube with more than 6.4 billion views, making it the near viewed music video of all time.
Prince – "When Doves Cry" (1984)
Doves, flowers and a smoking bathtub all within the showtime 10 seconds? It must exist Prince. Wearing null but a cross around his neck, Prince rose from his bathtub and stared into the photographic camera, holding his mitt out for whoever wanted information technology.
The video featured Prince getting dressed to perform, mixed with scenes from his Academy Award-winning rock musical Royal Rain. It was one of the first clips to spark controversy for being too sexually explicit for Tv set.
Bjork – "Big Time Sensuality" (1993)
This is the video that made Björk a household name, and the premise was uncomplicated: Picture Björk while she dances on the back of a truck in New York Urban center. Uncomplicated or non, information technology was simply bizarre enough to make the video an MTV mainstay in 1993.
The focus was on her tight hairdo, bizarre dance moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on full display in the Big Apple tree, and you could nearly feel her joy climb through the black and white prune.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their footing. Most videos at the time showed bands performing their songs every bit if they were on another stage. There weren't a lot of creative special effects used yet. That is, of course, until Bowie got into the mix.
Bowie was already a creative legend, just music videos gave him the chance to button boundaries even farther. The opulent, otherworldly clip cost more than $425,000 to make, making it i of the most expensive music videos of all time.
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